Download The Don Friedman Trio - A Day in The City (Six Jazz Variations On a Theme) (1961) - 1991, APE (image+. 1961 - A Day in The City Artwork Back. jpg C. pg A Day in The City ( 6 Jazz Variations On a Theme). A Day in The City ( 6 Jazz Variations On a Theme). Don Friedman Trio - A Day in The City ( 6 Jazz Variations On a Theme).
The Don Friedman Trio - A Day In The City: Six Variations On A Theme (1961). The debut album by pianist Don Friedman was recorded in 1961 and released on the Riverside label. Backing Don Friedman on piano are bassist Chuck Israels and drummer Joe Hunt. The trio performed six jazz variations on a theme taken from an old folk song, "The Minstrel Boy, entitled "Dawn," "Midday," "Rush Hour," "Sunset," "Early Evening," and "Night. CIRCLE WALTZ, Don Friedman Trio 今年の6月30日に、81歳で亡くなられたアメリカのジャズピアニスト、ドン・フリードマン氏の1962年に録音された作品。 ラジオから流れてきた表題曲｢サークル・ワルツ」を聞いて、ビル・エヴァンスの演奏？
The Don Friedman Trio. A Day in the City - Six Jazz Variations on a Theme, Circle Waltz Fresh Sound Records (FSR 760) 2013. Memories for Scotty Japanese Import 2004. The Don Friedman VIP Trio : Scarborough Fair Contents.
The Variations on a Theme by Joseph Haydn, (German: Variationen über ein Thema von Jos. Haydn), now also called the Saint Anthony Variations, is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B♭ major based on a "Chorale St Antoni", eight variations, and a finale. The work was published in two versions: for two pianos, written first but designated Op. 56b; and for orchestra, designated Op. 56a.
Piano – Don Friedman (tracks: A1-B3). Japanese white promotional labels with obi & insert, 見本盤 printed on labels (translation: "Sample Version"). Riverside Records Are Produced By Bill Grauer INC. 235 West 46th Street New York City 36 New York. Rights Society: JASRAC. Other (Price On Obi & Rear Cover): ¥2,200.
With drummer Pete LaRoca completing the trio and such songs as "I Hear a Rhapsody," "In Your Own Sweet Way," and "So in Love" joining four of the leader's originals, Friedman uses chord voicings similar to Evans and engages in the same type of close interplay with his sidemen. However, since the music is of high quality and few other keyboardists sounded like Evans this early, Circle Waltz is worth hearing by post-bop fans.