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Cornelius - Point album flac

Cornelius - Point album flac
  • Performer: Cornelius
  • Title: Point
  • Genre: Electronic / Rock / Pop
  • Country: Japan
  • Date of release: 2002
  • Music style: Abstract, IDM, Experimental, Indie Rock
  • MP3 size: 1492 mb
  • FLAC size 1375 mb
  • Formats DMF APE MOD ADX DTS AA AUD

I was mostly wrong about this

Cornelius, born Keigo Oyamada, kicked off the 2000s with the release of his fourth album, Point, in 2001. The 11-track experimental album was highly acclaimed at the time and is still popular today. A remastered CD will be released this summer. The Osaka show is scheduled for Aug.

Point (ポイント) is a 2001 album by Cornelius. The album contains innovative rhythmic use of sound, and is notable for its use of sounds from nature, such as water sounds and bird sounds, into its mix. Track listing. All songs written by Keigo Oyamada except where noted. Bug (Electric Last Minute)" - 0:38. Point of View Point" - 3:54.

Point ‎(CD, Album, Promo). Point ‎(CD, Album, Promo).

In 1997, he released the album Fantasma, which landed him praise from American music critics, who called him a "modern-day Brian Wilson" or the "Japanese Beck".

Produced by Cornelius. Point Of View Point Lyrics. View - point (down) Left right top point (down) Left right flat point (down) Left right flat point. View View View View (point) Of view point. back) View View (point) View View (point) Of view point.

Point is the fourth studio album by Japanese recording artist Cornelius. Originally released in Japan in 2001, it was re-released worldwide in 2002 Contents.

Tracklist Hide Credits

1 Bug (Electric Last Minute) 0:38
2 Point Of View Point 3:53
3 Smoke 5:48
4 Drop 4:53
5 Another View Point 5:35
6 Tone Twilight Zone 3:38
7 Bird Watching At Inner Forest 4:22
8 I Hate Hate 1:42
9 Brazil
Lyrics By [English] – S.K. Russell*Lyrics By, Music By – Ary Barroso
3:27
10 Fly 5:40
11 Nowhere 5:48

Companies, etc.

  • Manufactured By – WEA Manufacturing
  • Licensed From – Trattoria
  • Licensed From – Polystar
  • Glass Mastered At – WEA Mfg. Olyphant – Z04313

Credits

  • A&R – Hiroshi Nagai
  • Cello – Youhei Matuoka*
  • Design [Sleeve], Photography – Masakazu Kitayama
  • Mixed By, Mastered By – Toru Takayama*
  • Other [Elle Deco Nostalgie] – Skate-Thing
  • Producer – Keigo Oyamada
  • Recorded By, Programmed By – Toyoaki Mishima
  • Translated By – Ricky Domen
  • Viola – Ayako Ueda
  • Violin – Mikiko Kuwabara*
  • Written-By – Keigo Oyamada (tracks: 1 to 8, 10, 11)

Notes

©℗ 2002 Matador Records
Manufactured under exclusive license from Trattoria/Polystar

Barcode and Other Identifiers

  • Barcode: 7 44861 03322 6
  • Matrix / Runout: [wea mfg. OLYPHANT logo] Z04313 LN OLE 322-2 01

Other versions

Category Artist Title (Format) Label Category Country Year
Menu.241, PSCR-6000 Cornelius Point ‎(CD, Album) Trattoria, Polystar Menu.241, PSCR-6000 Japan 2001
OLE 332-2, OLE 332 Cornelius Point ‎(CD, Album) Matador, Matador OLE 332-2, OLE 332 UK & Europe 2002
OLE 543-2P Cornelius Point ‎(CD, Album, Promo) Matador OLE 543-2P US 2001
OLE 332-2V Cornelius Point ‎(CD, Album, Promo) Matador OLE 332-2V US 2002
OLE 332-2, OLE 332 Cornelius Point ‎(CD, Album) Matador, Matador OLE 332-2, OLE 332 UK & Europe 2002


Comments: (3)
Uyehuguita
At first I didn't think much of "Point" - it seemed annoying, cheesy, and pretentious. It took me several listens and a little bit of research to finally "get" it. "Point" is a successful juxtaposition of musical elements that no one would ever think of juxtaposing (due to the seeming disparity and incongruity of those elements). These elements include musique concrete, gentle r&b-ish backgrounds, speed metal, rather danceable grooves, and vocal harmonies sustained far beyond the capacity of the human lung. The talented Cornelius somehow manages to blend all these elements (and more) into a surprisingly palatable aural stew - a remarkable feat. In some cases, such as the title track, the result is something so fresh and architecturally sound that it could be considered a work of art. Other times, the effect is one of calming cybernetic beauty ("Tone Twilight Zone", "Brazil", "Nowhere"), or, in the case of the John Zorn-esqe "I Hate Hate", attention span reduction and head shaking. When approached as belonging to any specific musical genre, "Point" can seem annoying, cheesy, and/or pretentious, like the trying-to-sound-as-radio-friendly-as-possible, trying-way-too-hard demo of a band far too eccentric for the mainstream. But as is becoming increasingly more common in the world of music as time goes on, Cornelius is a genre unto himself, a hybrid of too many pre-existing genres to possibly concatenate (with hyphens) into a single pronounceable word.
Landamath
A unique blend of canonical electronic experiments, rock, La Monte Young influence (perhaps?), and Asian pop. Phenomenally produced. Intriguing drones, vocal harmonies, and funky ultra-tight rhythms abound. But so do examples of cliché psuedo-humor and cheesy tracks that could almost be classified as "adult contemporary". The distorted guitar/bass riffs are hair-metal-nostalgic at best and annoyingly-fruity-loopy at worst. I can only stand about the first 1/3 of this CD. Recommended for those who like Japanese pop-rock music, but who want something a little more adventurous and arty. All others would be best off avoiding this release.
TheMoonix
Japanese voices, strange harmonics, extremely funky drumtracks, nice melodies, all blended together in very listenable and enjoyable, yet very strange music. It's worth a try!
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