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Santana - Santana + Abraxas album flac

Santana - Santana + Abraxas album flac
  • Performer: Santana
  • Title: Santana + Abraxas
  • Genre: Jazz / Rock / Latin
  • Date of release: 1989
  • Music style: Jazz-Rock, Fusion, Soul-Jazz
  • MP3 size: 1260 mb
  • FLAC size 1647 mb
  • Formats APE MP1 VQF MP3 VOX MPC AA

Abraxas is the second studio album by Latin rock band Santana. It was released on September 23, 1970 by Columbia Records. The title of the album originates from a line in Hermann Hesse's book Demian, quoted on the album's back cover: "We stood before it and began to freeze inside from the exertion.

SANTANA ABRAXAS На этот раз сочетание африканских и латинских ритмов с рок музыкой западного побережья вышло очень эффектным. SANTANA Abraxas 1970. Jan. 10th, 2018 at 5:48 PM. antt trax. На этот раз сочетание африканских и латинских ритмов с рок музыкой западного побережья вышло очень эффектным. Это второй альбом Santana, записанный в апреле и выпущенный в сентябре 1970 года, который вобрал в себя влияния рока, блюза, джаза, сальсы, стал образцом, характерным для раннего звучания Santana, и показал музыкальное развитие группы с момента выхода её первого альбома.

This article is about the 1970 album by Santana. For the 2013 album by Shanir Ezra Blumenkranz composed by John Zorn, see Abraxas: Book of Angels Volume 19. Untitled. Abraxas is the second studio album by latin rock band Santana. Building upon the interest generated by their first album released in August 1969 entitled Santana and their highly acclaimed live performance at the Woodstock Festival in August 1969, the band released Abraxas in September 1970.

Difficulty: advanced. Incident At Neshabur (Alberto Gianquinto, Carlos Santana). Intro (Where the Guitar comes in) (00:19) -. 5-3

Лейблы Columbia Records. Музыкальный стильJazz Rock. Владельцы этого альбома73. 1. Singing Winds, Crying Beasts.

In the mid-'90s, an album as eclectic as Abraxas would be considered a marketing exec's worst nightmare. But at the dawn of the 1970s, this unorthodox mix of rock, jazz, salsa, and blues proved quite successful. Whether adding rock elements to salsa king Tito Puente's "Oye Como Va," embracing instrumental jazz-rock on "Incident at Neshabur" and "Samba Pa Ti," or tackling moody blues-rock on Fleetwood Mac's "Black Magic Woman," the band keeps things unpredictable yet cohesive

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