» » Wayne Horvitz - Film Music 1998-2001

Wayne Horvitz - Film Music 1998-2001 album flac

Wayne Horvitz - Film Music 1998-2001 album flac
  • Performer: Wayne Horvitz
  • Title: Film Music 1998-2001
  • Genre: Jazz / Screen and Stage
  • Date of release: 2002
  • Music style: Soundtrack, Score, Contemporary Jazz
  • MP3 size: 1978 mb
  • FLAC size 1770 mb
  • Formats AAC DXD VOC MPC RA ADX AHX

Film Music 1998-2001. Start your music shopping from All About Jazz and you'll support us in the process. Learn how. About Wayne Horvitz.

Film Music 1998-2001 is a jazz related soundtracks music album recording by WAYNE HORVITZ released in 2002 on CD, LP/Vinyl and/or cassette.

Listen to Film Music 1998-2001 now. Listen to Film Music 1998-2001 in full in the this site app. Play on this site. You look like someone who appreciates good music.

Lesli Dalaba, Wayne Horvitz, Polly Bradfield - Trumpet Songs And Dances ‎(LP, Album). Vendi questa versione. Film Music 1998-2001 ‎(CD, Album).

Film Music 1998-2001 Передняя обложка. Composed by. Wayne Horvitz. Published by. Tzadik. Furthermore, it's inexpensive.

This article is about the musician and composer. In 1992 choreographer Paul Taylor created a new work, OZ, to eleven compositions by Wayne Horvitz in collaboration with the White Oak Dance Company. Horvitz has also composed and produced music for a variety of video, film, television and other multimedia projects, including two projects with director Gus Van Sant, a full length score for PBS's Chihuly Over Venice, and two films about the creation of Seattle's EMP museum.

The effect is simply stunning, as Horvitz pulls the works from their original contexts and births a whole new beast in the process. As the disc plays, patterns begin to emerge and the specific character of each film project becomes clearer. In addition to music for Gary Gibson's Chihuly Over Venice and an untitled film by Gus Van Sant, Horvitz includes four pieces composed for a Frank Gehry exhibit, six from a project called "Bellagio," and three intriguing demos. Tracks 30 through 47 depart from the rest of the program by presenting, in one continuous block, music conceived for Charlie Chaplin's The Circus, performed live by the Seattle Chamber Players.

Tracklist

1 Car In The Lake 1:08
2 The Shell 1:04
3 Putting It Together 2:23
4 Clogging The Canal 0:47
5 Sell Out 1:01
6 Vegas 1:37
7 The Curtain 0:19
8 The Aggregate 1:19
9 Nouveau Riche I 0:28
10 Walking In Venice 1:20
11 The Museum 2:09
12 Monterey 1:22
13 In The Closet 1:15
14 Sky Shot 0:28
15 Up And Over 1:02
16 Night Life, Right Life 0:50
17 Floating The Blues 1:05
18 In The House 0:34
19 Capricious Midnight 0:57
20 Twistin And Turnin 1:05
21 Mrs. Bates 0:43
22 Nouveau Riche II 1:06
23 Glass On The Water 1:27
24 Walking The Plaza 0:57
25 Mumble 0:36
26 From Where I See It Now 1:50
27 Inside The Outside 1:51
28 Buena Note 1:09
29 Car In The Lake II 1:07
30 Prelude 1:48
31 Scene I 3:27
32 Hot Dog 2:20
33 The Chase 0:26
34 House Of Mirrors 2:56
35 Lady In The Box 2:01
36 Mealtime 0:38
37 Eating The Egg 2:11
38 William Tell 1:39
39 Barber Shop 3:00
40 The Girl 2:25
41 The Show 2:14
42 The Circus Prospered 1:46
43 Pitch Fork 2:26
44 Charlie On The Ropes 4:34
45 The Store / The Campfire 3:01
46 The Wedding 1:42
47 Finale: The Circus Leaves Town 1:45

Companies, etc.

  • Phonographic Copyright (p) – Tzadik
  • Copyright (c) – Tzadik

Credits

  • Clarinet – Laura Deluca (tracks: 30 to 47)
  • Clarinet, Saxophone, Guitar – Doug Wieselman (tracks: 5, 15, 17)
  • Clarinet, Tenor Saxophone – Doug Wieselman (tracks: 30 to 47)
  • Double Bass [Acoustic Bass] – Mike Bisio* (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Drums – Andy Roth (tracks: 2, 4, 6, 8 to 10, 12, 14 to 17, 19, 22 to 24, 27, 28), Davis Martin (tracks: 3, 11, 20, 26)
  • Electric Bass – Fred Chalenor (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Electric Bass, Double Bass [Acoustic Bass] – Keith Lowe (tracks: 5, 6, 9, 15 to 17, 19, 22, 27)
  • Engineer – Bill Fast (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Guitar – Andre Otraskin (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28), Bill Frisell (tracks: 2, 4, 6, 8 to 10, 12, 14, 16, 19, 22 to 24, 27, 28), Timothy Young (tracks: 2 to 6, 8 to 12, 14 to 17, 19, 20, 22 to 24, 26 to 28)
  • Keyboards, Vocals – Reggie Watts (tracks: 3, 11, 20, 26)
  • Percussion – Ed Pias (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Piano – Robin Holcomb (tracks: 30 to 47), Wayne Horvitz (tracks: 30 to 47)
  • Piano, Organ, Keyboards – Wayne Horvitz (tracks: 2 to 6, 8 to 12 to 17, 19, 20, 22 to 24, 26 to 28)
  • Recorded By – Al Swanson (tracks: 30 to 47)
  • Sampler, Edited By – Wayne Horvitz (tracks: 1, 7, 13, 18, 21, 25, 29)
  • Saxophone – Brian Kent (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28), Craig Flory (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Saxophone, Electronics – Skerik (tracks: 3, 11, 20, 26)
  • Saxophone, Flute – Hans Teuber (tracks: 2, 4, 6, 8, 9, 10, 12, 14, 16, 19, 22 to 24, 27, 28)
  • Trombone – Julian Priester (tracks: 2, 4, 8, 10, 12, 14, 23, 24, 28)
  • Turntables – DJ Logic (tracks: 3, 11, 20, 26)
  • Viola – Eyvind Kang (tracks: 5, 15, 17)
  • Violin – Jen Charowhas (tracks: 2, 4, 6, 8, 9, 10, 12, 14, 16, 19, 22 to 24, 27, 28), Mischa Shmidt (tracks: 30 to 47)
  • Vocals – Reggie Watts (tracks: 5, 15, 17)

Notes

Tracks 1, 7, 13, 18, 21, 25 & 29 are from an untitled film directed by Gus Van Sant in 2000.

Tracks 2, 4, 8, 10, 12, 14 23, 24 & 28 are from the film "Chihuly Over Venice", directed by Gary Gibson in 1998.

Tracks 3, 11, 20 & 26 are from the film entitled "Design And Construction", directed by the Experience Music Project for the exhibit, The Gehry Experience.

Tracks 6, 9, 16, 19, 22, 27 are from the film "Bellagio"

Tracks 5, 15 & 17 are demos of film score music.

Tracks 30 to 47 is music conceived for Charlie Chaplin's "The Circus"

©℗ 2002 Tzadik

Barcode and Other Identifiers

  • Barcode (On obi): 7 02397-75142 7
  • Matrix / Runout: TZACD7514 1J 11 K
  • Mastering SID Code: IFPI L239
  • Mould SID Code: IFPI 4121


Comments: (1)
Bladebringer
Beware: The copy I bought has on the last 5 or so tracks these typical "CD rot" sounds that you can usually find on CD-Rs. It's not a CD-R, but a manufactured CD, but with these drop out sounds on the last tracks, which therefore are unlistenable.
MP3 albums Related to Wayne Horvitz - Film Music 1998-2001
Contacts | Privacy Policy | DMCA
All rights reserved.
drake-tickets.org © 2016-2019