The label's other 1940s musicians included Les Baxter, Les Brown, Jimmy Bryant, Billy Butterfield, Nat King Cole, Sammy Davis J. Dinning Sisters, Tennessee Ernie Ford, Mary Ford, Benny Goodman, Skitch Henderson, Betty Hutton, Stan Kenton, Peggy Lee, Billy May, Les Paul, Alvino Rey, Andy Russell, Smilin' Jack Smith, Kay Starr, Speedy West, and Cootie Williams. Issue of 45 RPM singles featuring album tracks was also stopped.
45 rpm single record with large central hole as used in the US for jukeboxes. In the music industry, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. Previously, Geffen Records also released Aerosmith's "Head First" digitally for free. In 2004, Recording Industry Association of America (RIAA) introduced digital single certification due to significant sales of digital formats, with Gwen Stefani's "Hollaback Girl" becoming RIAA's first platinum digital single . In English, the word "album" in ordinary usage refers to an LP-length music release with multiple tracks.
45 RPM is the debut album by Paul van Dyk. It was released in Germany on the MFS label on December 5, 1994. It was then released on Deviant Records in the UK and Mute Records in the US in 1998. Initial copies of the German album came with a bonus disc of remixes Van Dyk had done for other artists called 45 Remixes Per Minute.
An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats.
Don Wilson also released some children's records.
The label was founded as the first West Coast-based record label in the United States in 1942 by industry insiders Johnny Mercer, Buddy DeSylva and Glenn E. Wallichs.
Matt Johnson's idiosyncratic series of records has been matched over time with an equally in-its-own-place collection of singles, and 45 RPM is a handy and sometimes revelatory compilation of many of Johnson's best moments in his various incarnations. Much of his music can be seen as both of its time and blatantly reacting against it, often resulting in a fascinating tension that at its best is really distinct music and at its worst can be flailing. blue highlight denotes track pick.
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